This is the very first solo that I ever transcribed! I was probably 16? I don’t know how or why I chose this solo, but I’m glad that I did. It’s a killer track. A beautiful ballad with a bunch of super-clean bebop runs. For a recording that is over 60 years old, it sounds great (at least the Alto does).
I had this album on vinyl, and transferred it to cassette tape so I could transcribe it on my boom box (which had no pitch or speed controls). I listened to this solo for hours and hours before I even started the process. I listened to it in my sleep every night! I realize now that this is all a bit of overkill, but I didn’t know any better at the time.
For fun, I’m including a scan of my original handwritten transcription:
Unfortunately, this was page 1 of a notebook that is almost 30 years old. The cover and first page were torn off and lost years ago. So all that survived was the third page of the solo.
I had fun re-transcribing it, and it came back very quickly since I learned it pretty well back in the day. I was surprised to see how accurate my original transcription was. Given my inexperience and the primitive tools that I had to work with, I think I did a pretty good job!
The solo itself is a lot of fun to play. The bebop lines are hard, but not impossible. They generally lay pretty well on Alto, and I realize that I still find myself using some of the licks to this day on a regular basis. Nailing all of them 100% in one take proved to be a challenge, which only gives me that much more respect for the guy who improvised the solo in the first place. What a master!
P.S. About the chords…I lifted them from a fake book, so they may not exactly match what the rhythm section was doing on this recording. Transcribing chord changes has always been my achilles heel. Unlike solos, where there is a single line that is very clearly right or wrong, chord changes are more subjective and open to harmonic interpretation (at least to me). I’m working at it. If anyone has any advice, I’d love to improve in this area!