Maceo to the rescue again! This week has been crazy – traveling cross-country with a bad head cold all week, busy at work, and gigs this weekend. I was able to scrape together one hour to practice this week, so here is the result, a transcription from my archives that I spent a few minutes working up…
Margie is a Ray Charles song that Maceo performed on the Roots and Grooves set, which is basically a Ray Charles tribute show recorded with a live big band. Maceo sang on many of the tunes, like this one, so we only hear him play over the solo.
It’s a tasty solo – not too hard to get the basic mechanics right once you sit and listen to the rhythms, but there’s a lot of nuance to pick out if you can devote the time. I maybe hit 50% of it, but it was the best I could muster this week. Hopefully I can shake this cold and get back in to the swing of things shortly.
It’s 4th down, 15 yards to go, far outside of field goal range – time to punt! It’s been a crazy busy week for me between work and gigs. I had planned on serving up another Marc Russo solo this week. I found another old transcription in one of my high school notebooks and cleaned it up. It was missing a page so I re-transcribed half of it. I planned on practicing and recording it today. Then I had a three-hour chops-busting gig last night, with another one tonight.
I looked through the Marc Russo solo and realized that it went up to a double altissimo G, so I decided to save my lip for the gig tonight and pull something easier out of the archives.
So – back to Maceo! A slow 16-bar blues. It pops up to a high Ab briefly, but other than that it’s pretty easy to play once you figure out all of the ornaments and grace notes. Just take it slow.
I may return to the Marc Russo solo next week, we’ll see how my chops are feeling!
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This is another killer Lenny Pickett solo. And what a great song! I just love a good hard-swinging 12/8 feel. I used to be intimidated by them, but it’s just 4/4 with a heavy triplet feel. Notating and reading it can be tricky sometimes if you don’t do it often, but it never gets old to play over.
I definitely got tripped up on some of the rhythms and a few of the high parts, but I’m amazed at how much easier the upper register has become for me just in the past few weeks since I started tenor month. This ‘practicing’ trick is useful!
Also, how great is Huey Lewis at this style of music?! I was already a fan, but now I want to hear more of him in this style.
This album took some digging to find, but I’m glad I did. It further demonstrates how diverse Prince’s catalog (and talent) was.
I have to say that this album is a little uneven, but it has moments of sheer brilliance as well. I could only describe it as ‘jazz’. Some of the tracks feel reminiscent of the later Miles Davis electric funk/jazz explorations. What a collaboration that would have been if Miles and Prince had gotten together.
This track is a pretty straight ahead medium-tempo hard swing feel. I really like Candy’s approach to the solo. She has some very nice lines including some incredibly clean double-time and altissimo runs that step the difficulty up a notch.
I really liked the melody so I included the short passage after the solo as well.