Some would probably say that it’s a waste of time (and perhaps a little self-absorbed and/or indulgent) to transcribe your own solos. Those people are probably right!
But I realized that I had been posting a few other Doctorfunk transcriptions, so why not post one of my own? This one is barely eight measures, so don’t get too excited.
You’ll notice that there are two ‘Bring the Funky Backs’ on the album. Originally, these were the same song. What eventually became ‘Part 2’ was the ending to ‘Part 1’.
The tempo and feel are obviously very different, but I had this complex transition worked out where the triplet of the first part became the quarter of the second part, so it sped up. We even played it like live for awhile. But the transition never felt natural, and it certainly wasn’t good to dance to!
Several people suggested that we break it in to two separate songs, which eventually we did when we started working with Jeff to put the album together. Producers can be an invaluable source of impartial, outside advice. And when you have big ears and great ideas like Jeff Tamalier does, it’s not hard to get people to listen.
So we broke this into two tunes, and part two became an up-tempo jam with lots of solos, similar to TOP songs like Squib Cakes and Ebony Jam.
I love Greg’s trumpet solo in the earlier part of the tune, and I will probably transcribe that next. My ‘solo’ is nothing special. I’m basically trading bars with the ‘melody’, filling in around the vocals. I had never solo’d when we played the song live, but we had some down time in the studio and Jeff asked me if I wanted to blow a little. He just let the jam run and I put down a few dozen licks. When it came time to edit, he pulled out four that he liked.
It wasn’t something that was planned. Honestly, I would have over-thought it if we had planned on it. Instead, I just had to drop in and play without thinking, which worked fine. A handful of pentatonic/blues scale runs – nothing special.
I don’t actually enjoy soloing on bari with Doctorfunk. The setup I use I really optimized to bark out low, loud, short notes. So I’m not a fan of my sound in the middle and upper registers, and there’s basically no nuance to the sound. It’s exactly what I need for the section parts, but when it comes to soloing, I like to say that it feels like tap dancing in moon boots.