I’m still on the Prince train, and I don’t see any sign of it slowing down any time soon! This time it’s the live NPG version of the incredible ballad “Nothing Compares 2 U”.
The liner notes don’t actually say, but I’m reasonably certain that the sax soloist is Brian Gallagher again. I read somewhere that it was Kathy Jenson (from the Hornheads), but I’m pretty sure that’s not true. I’m only familiar with her as an Alto/Bari player, and not tenor.
I really wish I could do this one justice. It’s a monster of a solo! The 5th bar is what really killed me, so I mercifully cut out the worst of the audio from my track and ducked the rest. But I got back on track the next bar. I can (barely) hit that high F#, but I can’t get up and down from it nearly as gracefully as Brian can. It’s amazing how fluidly he does it.
Interestingly enough, Candy Dulfer hits the exact same concert E her solo. It just fits. It’s high on Alto, but much easier to play than on Tenor (for me).
This is another solo that’s virtually impossible to read – you have to listen carefully and slow it down to really internalize the rhythms. The lines that he creates are so ornamented and intricate that there’s no other way.
More Prince. More Candy. Same CD box set as the previous two transcriptions.
This is such a beautiful song! Most people associate it with the 1990 Sinead O’Connor recording (and music video), but of course Prince wrote it. He originally recorded it with ‘The Family’ in 1985. It was hard to find that recording, and not worth the effort (for me), although some people swear that the original is the best recording.
Rumor has it that Prince did a studio recording of his own that was never released. Maybe it will see the light of day eventually? Until then, I’m only aware of his two live recordings – this one, and the more famous one that he recorded with NPG. I’ll try to work up that solo too, but my tenor high chops may not be up for it.
Candy really kills it on this solo. The third bar of the solo is pure genius the way she builds such connects such complex (and yet simple) ideas so fluidly – and nails it! I probably spent about an hour shedding that bar alone and still can’t play it as smoothly as she did.
And just try to play that high part at the end in one breath like she does. I like to think I get some pretty big air (I play a LOT of bari), and I couldn’t make it through both measures in one breath. But she pulls it off somehow!
The written transcription covers most of the song until the time stops. I’m only uploading the main solo to YouTube so I don’t run afoul of the copyright filters.
Slow songs are always the hardest to notate and read, so I really suggest listening closely to the recording as you’re trying to learn it. That’s always the best way anyway, but on ballads it’s almost impossible to do any other way.
We lost another music legend this week. This time, Maurice White, the founder of the band Earth, Wind & Fire. The impact that he has had on the music industry is immeasurable. He created so many classic songs that will live forever. In over 10+ years of playing with Doctorfunk, we’ve hardly played a gig that didn’t have at least one EWF song in the set list. They are definitely in the top five all-time great horn bands.
So when I heard of Maurice’s passing, I did what I always do: I listened. Then I got out my horn to play. I’ve had Don Myrick on my to-do list for a while now, so I figured there was no better time than today to tackle his most iconic solo.
And what a solo! Although the track is considered one of the ‘smoother’ songs in the EWF catalog, the Alto solo is anything but smooth. It’s only 24 bars long, but it’s filled with meaty bebop-inspired lines that are quite challenging to play. Picking them out of the lush mix was no small feat either! But it was worth it in the end to me, I can finally cross this song off of my bucket list!
I’l have more Don Myrick in the future as well – what an inspiration!
RIP Maurice, you’ll be missed…